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Ancient Web: A Samurai Pizza Cats Fan Page Has Been Frozen Since 1996

This Samurai Pizza Cats fan page says it was last modified on August 18, 1996. That date has now spent far longer being old than the page spent being current.

Visit the Samurai Pizza Cats fan page

The site identifies itself as the first page on the Pizza Cats and credits Patrick Atoon. It is a compact handmade guide to the English-language cartoon and its Japanese source, Kyatto Ninden Teyandee, built at a time when simply finding background information about an imported or localized anime series could require another fan to type it out for you.

The navigation covers the premise, recurring characters, the Cat Ninden, episode information, opening and closing themes, a fan-club oath, “Pizza Cat-isms,” credits and acknowledgments. There is even a Dutch version.

The episode guide is especially revealing. It describes 48 episodes and openly notes gaps where descriptions were still needed. Its numbering follows Canadian broadcast order rather than pretending there was one universally obvious sequence.

That is the sort of messy detail fan sites preserved well. Television syndication, regional broadcasts and localization often produced conflicting episode orders long before streaming services presented one clean list.

Before fandom became a database

A page like this did not have a wiki engine underneath it. The webmaster decided what newcomers needed to know, typed character descriptions, organized episodes, transcribed songs and invited other fans to fill missing information.

Its explanation of the series also preserves terminology from the period. The English title sits beside Kyatto Ninden Teyandee, Little Tokyo and the show’s original character framework. Those names now provide exactly the kind of long-tail search surface that disappears when old fan pages are reduced to a generic sentence saying “this was an anime from the 1990s.”

The page’s age is visible not because somebody recreated a retro theme, but because nobody replaced the original assumptions. It was made for people who needed an introduction to the show, and then it simply stayed online.

That makes it a good specimen from CacheRat’s larger 1,967 Ancient Web Domains research list. Fan pages often preserve the practical history around media—broadcast order, terminology, early community knowledge and incomplete contemporary understanding—not just the media itself.

There are slicker ways to research Samurai Pizza Cats now.

There are not many cleaner ways to see what researching it on the Web looked like in 1996.

Explore the surviving Samurai Pizza Cats fan page

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Ancient Web: Gary’s Place Became Four Reference Libraries

Gary’s Place is what happens when a personal homepage refuses to pick one obsession and instead gives each obsession its own filing cabinet.

Visit Gary’s Place

The surviving homepage identifies four main branches: Gary’s Anime Page, Gary’s Olive Drab Page, Gary’s Science Fiction Page, and Gary’s Virtual Arsenal. The site credits Gary W. Cooke and carries a 1998–2008 copyright range.

Each branch then goes deep.

The anime area includes image-heavy pages for titles such as Arcadia of My Youth. The science-fiction section includes an Aliens hardware reference full of frame captures and labels for the Sulaco, dropships, APCs, sentry guns, motion trackers, pulse rifles, smart guns, helmets, and other props. That page was last updated in July 1998.

The military section is even more structured. Gary’s Combat Vehicle Reference Guide organizes vehicles by type and country, then breaks individual machines into specifications, recognition features, armament, variants, photos, and cited military sources. Pages for vehicles such as the M578 recovery vehicle, BM-21 rocket launcher, BTR-152, and AMX-13 look less like fan pages and more like somebody’s homemade technical handbook.

The old Web loved one-person reference departments

This kind of site mattered because one person could build a useful vertical reference without turning it into a startup.

Gary did not need to solve “information” as a general problem. He only needed to care enough about a handful of subjects to label hundreds of images and write down what he knew.

That creates a different kind of value than a social feed. A twenty-eight-year-old Aliens prop page remains useful because the filenames, captions, and page structure still answer specific questions. A combat-vehicle page remains useful because it was organized around identification rather than engagement.

The site also preserves its era in small technical details. Many image sizes are listed in kilobytes. Pages assume visitors might care whether a JPEG is 50K or 80K. In 1998, that was not decorative metadata. It was bandwidth planning.

CacheRat’s larger 1,967 Ancient Web Domains research list contains plenty of personal sites like this: one person, several deep interests, and enough patience to make the Web genuinely more searchable by hand.

Gary’s Place is not polished. It is better than polished. It is organized.

Explore Gary’s Place

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Ancient Web: Nausicaa.net Built a Miyazaki Archive Before Ghibli Was Mainstream

Long before Studio Ghibli merchandise filled American bookstores and streaming services made Hayao Miyazaki easy to discover, English-speaking fans were already building their own reference system for his work. Nausicaa.net was one of the best examples.

Visit the Hayao Miyazaki Web at Nausicaa.net

The project grew from the Miyazaki Mailing List, which dates to 1991. The website first appeared in the mid-1990s and became a volunteer-maintained clearinghouse for information about Miyazaki, Isao Takahata, Studio Ghibli, Joe Hisaishi, films, books, soundtracks, release news, scripts, translations, merchandise, and fan discussion.

That timeline matters. In the 1990s, much of this material was difficult for English-language fans to obtain. A new Japanese release might be discussed months or years before an official English edition appeared. The web page did not merely summarize finished products; it accumulated the collective research of a mailing-list community.

The surviving archive is especially valuable. Nausicaa.net documents messages from the Miyazaki Mailing List going back to April 1991, with a long-running archive maintained by Atsushi Fukumoto and later LISTSERV material from Brown University. That is not just fan chatter. It is a record of how international anime fandom researched, translated, argued about, and distributed knowledge before social media centralized those conversations.

Old versions of the site also preserve the rhythm of the era. A late-1990s page talks about Princess Mononoke as current news, lists My Neighbors the Yamadas as an upcoming release, and carefully announces that this is a fan website rather than Studio Ghibli’s official site. The navigation is pure hand-built reference Web: film sections, FAQs, goods, archives, biographies, mailing lists, and a site map.

For webmasters, Nausicaa.net demonstrates what happens when a site is organized around a subject instead of a feed. Twenty-five-plus years later, a reader can still move through the material by film, person, document type, or historical period. The structure itself became part of the archive.

CacheRat’s larger Ancient Web research list contains many fan sites, but relatively few show this combination of depth, age, and community memory.

Nausicaa.net did not wait for Miyazaki to become mainstream. It helped English-speaking fans understand the work while mainstream distribution was still catching up.

Explore Nausicaa.net